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The Latest News!View news headlines at MSNBC

Paving Art Alley

By: Tim Foerster

Hills Materials Company was the prime contractor on a City of Rapid City street project to mill and asphalt overlay four downtown alleys.   One of the four alleys is locally known as “Art Alley”.  Art Alley was originally started with graffiti and local artist painting the back alley sides of the downtown buildings.  Local artists have turned many graffiti makers into artists in this alley.  The alley receives a lot of pedestrian traffic local and out of town tourists.

The City and Hills Materials Company were approached by the Rapid City Downtown Association with a request to do something different than standard asphalt paving in Art Alley.  Local artists and business owners wanted a visual upgrade from normal black asphalt paving for the alley.

In response to the upgrade request, Hills Materials Company recommended that the alley be paved with stamped and colored asphalt.  The proposal was accepted and a change order was negotiated.  The financing for the change order was privately funded by local businesses and citizen patrons.  Hills Materials Company also financially contributed to the fund for the stamped and colored asphalt paving.

On August 13th Art Alley was paved and stamped with a cobblestone pattern.  The alley is approximately 400 feet long by 14 feet wide.  The hot mix asphalt was a 3/8-inch minus mix gradation with 5.3% PG64-28 asphalt binder.  The ambient air temperature on the day the hot mix was placed and stamped was 110°F.  The high ambient air temperature allowed adequate time to physically stamp the hot mix asphalt.

Local artists were given a choice of two potential colors by Hills Materials Company and they chose both colors.  When Hills paving personnel established the best stamping pattern for the available width, we had a longitudinal border on each side of the cobblestone pattern.  This allowed the use of both colors to be used side by side through the length of the alley.   

Steel stamping mats and coloring agents are manufactured and distributed by Intergrated Paving Concepts, Inc. (StreetPrint Pavement Texturing) of Vancouver, British Columbia.  The steel stamping cable cobblestone patterns were loaned to Hills Materials Company by another Rocky Mountain Group company, Intermountain Construction & Materials of Gillette, WY. 

The completed project received positive local television and print news coverage and has been well received by the Downtown Association, artists, City personnel, and the community at large. 

 

 

Life's a Blast at Hills Materials!

From the Rocky Mountain Group Spring 2007 Newsletter

By: Jake Smith/Shannon Caperton

I am the receptionist at the main office for Hills Materials Company.  We are located across the street from our Rapid City Quarry.  My days are full of phone calls, typing letters and quotes, helping the lost tourist that wanders in looking for Mt. Rushmore or the unemployed looking for a job.  This office runs like a well oiled machine.  We’ve all worked together for so long, we can almost read each other’s minds.      

And then, K  A  B  L  A  M  !!!!!!!!!!!!!!!!!!!!!!!!!!!  “Man, that was a big one” I think to myself, “was that us or the cement plant?”  We all run to the front door, and sure enough, across the street at our quarry, traffic is stopped and I know, Jake is at it again. 

Jake Smith is the blaster at Hills Materials Company and I have to say I am more than a little envious of Jake’s job.  How many of us would love to blow up an entire side of a hill?  Talk about a stress reliever!  Come to think of it, Jake is one of the calmest people I know.

Jake graduated from the South Dakota School of Mines & Technology in 2002 in Rapid City with a bachelor’s degree in mining engineering.  He came to work at Hills Materials Company in 2002 as a lab technician and became a foreman in 2004.  He and his wife Kari have three children, Keaton (7), Paul (3) and Olivia (4 mos.), they live in Hayward, south of Rapid City.

 

Shannon.  Jake, we all want to know, do you get a charge out of your job?

Jake.   Yeah, it is pretty interesting as well as exciting.  No two shots are the same and figuring out how to best set a shot off is challenging.  I always say it’s hours of work for a few seconds of fun.      

 

S.  Do you have to wear any special protective clothing?

J.  No, I wear the standard PPE (Steel Toe Boots, Hardhat, Safety Glasses).  I only have to worry about stray sparking, but that is not that high of a danger most of the time.  The chemicals I work with do not pose any extra danger, except that they detonate, I guess.

 

S.  Are you required to be licensed with some kind of agency?

J.  Hills Materials Co. has an “Explosives License” with the ATF (Bureau of Alcohol, Tobacco and Firearms).  Any users under that license have had background checks and some of the officers of the company have also had to be fingerprinted.  We also have a “Hazardous Materials License” with the US-DOT.  We are required to have this because I transport explosives over-the-road to our other quarries.

 

S.  Is it difficult to obtain this licensing?

J.  It is difficult because there are a lot of requirements you need to fill before a license will be issued and then you are subject to inspections.  Three separate agencies inspect our explosives program and it can be difficult to please all three.

 

S.  Are you also licensed in Wyoming?

J.  Yes, we have a quarry located in Wyoming and blasters are required to be licensed by the state.  South Dakota does not have the same licensing program and relies on the ATF.

 

S.     How do you know where to blast, say, at a new pit location?

J.   We set up an exploration drill pattern to find where and the depth of the rock.  After a mine plan has been designed, then we decide where we want the first shot.

 

S.     What is involved in forming a new pit?

J.   In addition to what I explained in the previous question, overburden is removed from the top of the rock.  Then the driller drills a tight pattern that will be shot upwards.  Since there is no free face except up, we have to push the rock upwards.  However, we control how much the rock goes upwards with the drill pattern, delay pattern and explosive charge.  Obviously there is more involved with other areas to get a pit started, but this is the basics as it pertains to blasting.

 

S.     How do you set up a blast and how do you know how much to use?

J.  First, we determine where in the pit we want to blast.  The driller drills a pattern using standard practice.  Then I figure out the delay pattern.  I figure out the approximate quantity needed.  We load the shot using standard procedure and load the powder column in the hole to a predetermined height.  I’m not sure how detailed I should go because I don’t want to confuse anyone.  I look at a lot of different variables when loading a shot; the rock structure, irregularities (ie cracks) and other obstacles (such as crushing equipment).

 

S.     Once the blast is done, what happens?

J.      First, I check to make sure everything has “gone off”.  Once everything is clear, I allow everyone to come back into the pit and allow traffic to go on the highway, if the road is blocked.  Next, I check for any overhangs or unstable highwall and then let the foreman and the loader operator know where they are.  Finally, I talk with the foreman and driller and determine where the next pattern is going to be drilled so I can assess any dangers or concerns that might affect the blast.

 

S.  Where do you get the explosives?

J.  Our explosives supplier is out of Wyoming.  There are no explosives suppliers in western SD.  I order what we need, based on our inventory, and they deliver the explosives to us.

 

S.     What kind of explosives do you use?

J.      We mostly use ANFO (Ammonia Nitrate Fuel Oil).  ANFO is the cheapest explosive available on the market.  It comes in a “prill” form; it looks much like what many use as fertilizer on their lawns.  Actually, Ammonia Nitrate is a fertilizer.  ANFO’s dubious distinction is that it was homemade ANFO that was used in the Oklahoma City Federal Building bombing.  We also use “shock tube” type caps for downhole and surface.  We also use cast boosters with our downhole caps to “set off” each hole.  The boosters contain TNT, PETN and RDX.  Most know what TNT is, but PETN and RDX are explosives that were initially developed for the military and later adapted to industry use.  We do not use any Nytroglycerin or Dynamite type explosives due to safety and cost.

 

S.     Do you get a lot of complaints from neighbors of the quarry about the noise and/or shaking?

J.      At times we do get complaints after a blast.  Most people do not like to feel any vibration what-so-ever and automatically assume that any vibration is causing damage to their property.  I have to address any complaint and explain to the caller that the vibration they feel is not causing damage.  It is hard, because I’m basically asking the caller to trust someone they have never met.  At times I do talk to the complainer face to face if the need is required.  I do setup a seismograph on my shots to monitor vibration and make sure the vibration stays within tolerable levels.  This helps when I’m trying to explain about vibration intensity.

When explaining vibration, I tell people that there is a combination of effects that they feel.  One is, of course, ground vibration. The second is air blast overpressure or just air blast.  The ground vibration is the direct transfer of the explosives detonating in the ground and the resulting seismic wave that moves through the ground.  Air blast is similar to that of a sonic boom or thunder clap.  A person       could feel one or the other or even both.  The seismograph reads both the ground vibration (in in/sec) and air blast (in decibels). 

When I look at the seismograph, I’m not only looking at the intensity of the vibration, but also the frequency.  The latest studies have shown that a building has a certain harmonic signature.  Most buildings (depending on the construction) have a harmonic signature between 4-12 Hertz.  Any vibration that has a frequency in that same range will have a higher effect on the building.  However, if you increase the frequency of your vibration above the 12 Hz range, then you have less effect on the building.  I can best describe this concept by looking at the relationship between a boat and waves.  Lower frequency would be the low slow moving waves and higher frequency is the fast choppy waves.  A boat moving through the low frequency will move up and down through the trough and over the crest of each wave, causing the boat to rock with each wave.  If the waves are choppy and fast then the boat will actually bridge the gap between the wave and thus the wave doesn’t affect the boat so much (see figure 1).  With this explanation in mind, I try to get the frequency vibration as high as I can.  I set my delay patterns as “quick” as I can because the quicker a shot goes off the higher the frequency of the vibration.  With the latest technology in blasting caps and electronics, some mines delay between holes only 2-3 milliseconds, I use conventional blasting and delay 17 ms.  The 2-3 ms delay causes very high frequency vibration waves that have little effect on buildings.

The concept of air blast is very similar to a thunder clap.  The explosive detonation causes a sudden increase in air pressure in front of a shot.  That air pressure radiates out from the shot causing a loud bang just like a thunder clap.  Normally the farther away from a shot you are, the less you hear the sound.  But certain weather conditions can affect the intensity of the air blast.

The environment affects air blast in the following ways.  If the clouds are low or it is an overcast day, then the air blast will be more intense.  This is because the clouds act as an insulator and prevent the sound waves from dissipating.  They also will reflect any sound waves back to the earth and people who would normally not be affected by air blast might actually experience it.  Also, weather, temperature and wind can affect the intensity of an air blast.  When a weather phenomena called a “temperature inversion” occurs, the sudden change in temperature at a certain altitude can reflect sounds wave back down to the ground just like the clouds do.  Wind can actually “carry” sound waves further than normal.  Or, if there is varying wind speed at different altitudes, the wind can reflect sound waves back down to the surface.

I have to be aware of all of these factors when I am detonating a pattern and talking to a person who calls with concerns.  All of our shots are small enough that we never approach the limit on vibration, however, even a little vibration can cause a person to be concerned.  We do alleviate some of the concern by having a call list of certain people who have regularly called when we blast.  We now call the people on the list to let them know ahead of time.  This helps, because the people feel that we are keeping their concerns in mind when we are blasting, as well as eliminating the element of surprise when a blast goes off.  Overall, our biggest task is to educate people on what we are doing.  When they understand, then we have less problems with complaints.

I really appreciate the time that Jake took to explain the overall procedure of blasting.  He definitely knows what he is talking about and made it easy for a lay person like me to understand.

Thanks Jake!

 
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Last modified: 06/27/07